VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Duke oil painting


Duke
mk23.7 1638
Painting ID::  54743
VELAZQUEZ, Diego Rodriguez de Silva y
Duke
mk23.7 1638
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Duke of Madela oil painting


Duke of Madela
mk237 163.8 Oil on canvas 68x51cm
Painting ID::  54744
VELAZQUEZ, Diego Rodriguez de Silva y
Duke of Madela
mk237 163.8 Oil on canvas 68x51cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Mars Masi oil painting


Mars Masi
mk237 1636-1640 Oil on canvas 179x95cm
Painting ID::  54745
VELAZQUEZ, Diego Rodriguez de Silva y
Mars Masi
mk237 1636-1640 Oil on canvas 179x95cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Prince oil painting


Prince
mk237 1639 Oil on canvas 128.5x99cm
Painting ID::  54746
VELAZQUEZ, Diego Rodriguez de Silva y
Prince
mk237 1639 Oil on canvas 128.5x99cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Duke oil painting


Duke
mk237 1624 Oil on canvas 206x106cm
Painting ID::  54747
VELAZQUEZ, Diego Rodriguez de Silva y
Duke
mk237 1624 Oil on canvas 206x106cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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